Sure, last month was all about Scream Queens, but next year, Ken’s Alternate Universe will celebrate Thirty-One Days Of Horror with a month-long celebration of some of the most popular slashers in the business! I’ll have the big guys like Freddy, Jason, and Michael Myers, but I’ll also look at some of the lesser known bad boys (and girls) like the Driller Killer from Slumber Party Massacre, Blade from the Puppet Master films, and Angela Baker from Sleepaway Camp!
I’ll give a general overview of each killer and then go in depth on whatever makes each character unique. Ghost Face changes in every Scream film, the original killer in Prom Night never returned in any of the sequels, and I definitely have to take a look at Jason in Jason X! There are tons of slashers out there, so be sure to let me know if there’s anybody that you’d like me to take a look at and I’ll see what I can do.
I’ll look at the preferred weapon of choice for each villain, their primary target or targets, and what, if anything, motivates them to kill. Get ready for thirty-one nights of slicing and dicing! You have a year to prepare, so get ready!
Could it be anybody else? Would you expect anybody else? Of course the Final Girl and Scream Queen of all Scream Queens would be Jamie Lee Curtis! It’s Halloween for crying out loud! Curtis has appeared in multiple successful franchises, is the sole reason that the Halloween franchise has stayed alive for so long, and has been nominated for and won awards from MTV to Saturn to Fangoria to the People’s Choice Awards and the Primetime Emmy Awards. She has written children’s books, blogged for the Huffington Post, and has applied for two patents on inventions that she developed. She’s a true Renaissance woman and easily the most recognizable and most popular Scream Queen on this list.
Mrs. Curtis began her career with a small role on an episode of Quincy, M.E. in 1977. She made her film debut in the iconic horror film, Halloween, in 1978. She then appeared in a number of slasher films in quick succession from 1978 to 1981. Those films included The Fog, Prom Night, and Terror Train in 1980 followed by roles in Halloween II and Road Games in 1981. She also had a cameo as the voice on a speaker in Halloween III (1982). Curtis continued working in both film and television and still does so to this day. She has consistently appeared in television films, major motion pictures, and guest roles on television. She also starred in three television series, Operation: Petticoat, Anything But Love, and Scream Queens.
Some of Curtis’ most popular and well known roles outside of the horror genre include her performances in Trading Places (1983), True Lies (1994), Perfect (1985), My Girl (1991), Freaky Friday (2003), and Knives Out (2019). She has eighty-three credits currently on IMDb and that list will definitely continue to grow. I highly recommend checking out her work both in and outside of horror.
While she’s definitely been successful outside of horror and has had success in a number of different horror franchises, the one that put her on the map and the one that she has returned to a number of times is the Halloween franchise. The original film is considered a trailblazer in the genre and it produced multiple copycat films (including a few starring Curtis). Including her voice cameo in Halloween III, Curtis has appeared in a total of eight Halloween films: Halloween (1978), Halloween II (1981), Halloween III: Season of the Witch (1982), Halloween H20 (1998), Halloween: Resurrection (2002), and the modern trilogy of Halloween (2018), Halloween Kills (2021), and Halloween Ends (2022). She portrayed Laurie Strode in all of the films with the exception of Halloween III.
Jamie Lee Curtis is a full-fledged superstar. Her parents had amazing careers as well. Her father is Tony Curtis, who passed away in 2010, and her mother is Janet Leigh (a Scream Queen in her own right), who passed away in 2004. Both were very popular performers in their day Jamie Lee Curtis embraced her family’s legacy as an actress. It’s impossible to list all of her accomplishments in film and television on this post. She’s an amazing person.
Although she’s been in a ton of projects over the years, Jamie Lee Curtis will always be Laurie Strode to me. She’s one of the few actors to avoid being typecast and has become one of the most successful film stars of all time as a result.
Happy Halloween! This concludes my Reign Of The Scream Queens posts for October’s Thirty-One Days O’Horror. I’ve already got plans for next year and I’ll give you a hint about them tomorrow. Starting in November I will go back to my traditional film, book, and action figure reviews along with two The Year Of KISS posts. As the holidays are now well underway, I want to thank each and everyone of you for checking out today’s post and all of the other posts that I’ve cranked out this year.
Compared to other Scream Queens on this list, many folks unfamiliar with the work of Barbara Crampton might write her off as a horror starlet. When you dig deeper into her seventy-three credits in film and television, you’ll quickly realize that Crampton is not only an iconic Scream Queen, she’s also an accomplished soap opera actress. She’s been nominated for multiple awards in both horror and for her performances in numerous soap operas. In short, Crampton takes on roles based on quality, not quantity. She’s comfortable playing the hero, the villain, and the psycho in film and on television.
Crampton has been acting since 1983, when she received her first credit portraying Trista Evans on the daytime soap Days Of Our Lives. She appeared eighty-three episodes over the course of two years. Her first film role was in the erotic thriller Body Double (1984) that starred Melanie Griffith. I have a special connection to that film that I’ll share later in this post. Crampton continued working in both film and television throughout the 80’s and 90’s. Her biggest role on television came as Leanna Love on The Young And The Restless. It was a role that she would portray off and on throughout both decades and into the early 2000’s. She also had lengthy roles in The Bold And The Beautiful and Guiding Light. In addition to these roles, Crampton also appeared as a guest star on a number of popular television shows like The Nanny and Pacific Blue.
While her career blossomed on television, Crampton also made waves on the big screen in horror films, sex comedies, and science fiction films. She is perhaps best known for her roles in Re-Animator (1985), Chopping Mall (1986), and Trancers II (1991) during her early career. As Crampton grew older, she began taking on more roles as a villain in horror films and motherly roles in other films and did so with amazing success. Some of her biggest roles since the beginning of the 2000’s were in films like Little Sister (2016), We Are Still Here (2015), Puppet Master: The Littlest Reich (2018), and Jakob’s Wife (2021).
As a kid, one of my earliest crushes was Barbara Crampton. I fell in love with her as the psychotic Leanna Love on The Young And The Restless. This was in 1987 and, at the time, I was completely unaware of her work in films like Body Double and Re-Animator even though both of those movies came out a few years prior to her role as Leanna. Still, I tried to follow Crampton’s career as best as I could as a kid growing up in rural Louisiana pre-internet. Within a year of falling in love with Crampton as Leanna, I saw her in Body Double. It was a shock to my still developing mind. Not only was Crampton one of the the first women that I saw nude in a film, she was the first woman that I recognized from another role that I saw nude in a film. Then a friend of mine with cable introduced me to her appearance in Re-Animator. I was raised to not look at such things (nudity in film) but as an 80’s kid with friends who had access to cable, it was inevitable that I would run across a naked lady sooner or later. It was weird to me because I didn’t dare tell my mom, who also loved the character of Leanna, that Crampton not only did nude scenes, but sex scenes as well. To this day I haven’t told her and I’m pretty sure that she is still unaware of the “dirty” movies that Crampton appeared in throughout her career.
I still love Barbara Crampton and I still have a crush on her. Hopefully I will get the chance to meet her at a convention one day and tell her how I’m still afraid to tell my mother that I saw Leanna Love in the buff! Crampton doesn’t do many nude scenes today, but she is no less gorgeous. In fact, she pretty much looks the same today as she did back in the 80’s. She’s very active on social media and shares tons of pictures of her day-to-day life and any projects that she is working on at the moment.
Crampton deserves more recognition for her work. She’s a wonderful actress who easily transitions from soap opera star to horror goddess. If I had to pick specific films of hers to watch, I’d recommend Jakob’s Wife, Re-Animator, and Chopping Mall. To be completely honest, I haven’t watched a film in which she gave a bad performance. She’s the consummate professional and it shows in her work.
Thanks for checking out today’s post! Tomorrow I will reveal the Final Girl, the Ultimate Scream Queen! Do you know who she is? Let me know in the comments and find out tomorrow if you’re correct!
Of all of the wonderful Scream Queens on this list, none of them come close to being the ideal Scream Queen as does Brinke Stevens. Stevens has over 230 film credits to her name on IMDb and has been appearing in movies seemingly nonstop since 1981. She has one role credit prior to that year in 1972’s Necromancy, but it is listed as the 1983 re-issue. Other than that, Stevens has appeared in multiple films almost every year and, believe it or not, has appeared in more movies since 2000 than she appeared in prior to that year. Almost all of the films that she has appeared in have been low budget B-movies that emphasize skin more than plot, but that doesn’t mean that Brinke Stevens is a dim bulb. She’s actually quite intelligent, holding a Bachelor of Science in both biology and psychology and pursued her doctorate in marine biology at the Scripps Institution of Oceanography. She was ultimately denied her degree due to the use of dolphins from Sea World in her studies but did receive an honorary doctorate later.
Just over ten years after appearing in Necromancy, Brinke Stevens found work as an extra in 1981’s …All The Marbles. Then she snagged her first speaking role in the slasher classic The Slumber Party Massacre (1982). From there she begin getting role after role, mainly in low budget horror films, horror comedies, and softcore adult films but she constantly worked. She also appeared in various states of undress in a number of magazines. She regularly appeared in Femme Fatale, Monster Land, Famous Monsters Of Filmland, and Scream Queen Illustrated magazines among others.
Some of Stevens’ most notable appearances in horror include Nightmare Sisters (1988), Teenage Exorcist (1991, she also wrote the film), Sole Survivor (1984), Trophy Heads (2014), and Slave Girls From Beyond Infinity (1987). My personal favorites are The Slumber Party Massacre and Trophy Heads, but she’s been in so many films that I’m sure that I’ve missed a few more great ones.
If you’ve never watched one of Brinke Stevens’ films before, my advice would be to start with The Slumber Party Massacre and then follow that up with Sorority Babes In The Slimeball Bowl-O-Rama (1988). From there, simply scroll through IMDb or visit Brinke’s website to find more of her films. There’s a little bit of everything in all of her films. There’s tons of gore, nudity, violence, questionable acting, and more, but it’s all B-movie gold.
I hope that you have enjoyed this very brief glimpse at Brinke Stevens. She’s a beautiful, intelligent lady that knows what her audience wants and delivers it in spades. She’s a Scream Queen without question!
Thanks for checking out this post. More horrific fun is headed your way tomorrow!
Hammer Productions kept horror films above water after Universal turned away from the genre in the 1950’s. Hammer started producing films with their own versions of Dracula, Frankenstein’s Monster, the Mummy, the Wolf Man, and more, winning over tons of fans for themselves and breathing new life into Universal’s early classics from the 30’s and 40’s. Along for the ride was the strikingly beautiful Veronica Carlson. She starred alongside two titans of the company, Peter Cushing and Christopher Lee, and also shared the screen with the man who would be Darth Vader, David Prowse.
Mrs. Carlson enjoyed working with Hammer Productions, appearing in three films for the company: Dracula Has Risen From The Grave (1968), Frankenstein Must Be Destroyed (1969), and The Horror Of Frankenstein (1970). In 1974 she appeared in the horror comedy Vampira and followed that with another horror film with Peter Cushing, The Ghoul (1975). She then stepped away from her career as an actress in order to focus on her family and marriage. One of the reasons that she left the industry was because of her religious upbringing and the demand in the industry for more and more nudity in films.
Carlson also appeared on the television series Spyder’s Web and had a number of guest starring roles primarily on British television. Her final television role came in 1975 on Public Eye. She made appearances in two horror films in 1994 and 1995 and wouldn’t return to the screen until 2016 when she appeared in the science fiction yarn, Stella Quasar and the Scrolls of Dadelia, She next appeared in House of the Gorgon (2019), and independent film created as an homage to Hammer’s classic films. That film also starred two other classic ladies of horror, Caroline Munro and Martine Beswick. Carlson’s final role is Lady Whitehouse in the unreleased as of this writing horror film, The Rectory. She passed away in February of this year.
Although her looks initially got her the attention of filmmakers, Carlson proved to be more than just another pretty face. She was an excellent actress and appeared in three very good Hammer films. For that reason I am dubbing her today’s Scream Queen.
Thanks for checking out today’s post. We’re getting down to the nitty gritty with just a few days left in October! See you tomorrow!
Much like Ingrid Pitt, today’s Scream Queen, Gloria Holden, made her audiences scream more than she ever did in a film. Holden has forty-one film credits to her name, but only one of them would ever be considered a horror film. That film, Dracula’s Daughter (1936), was the first sequel to the iconic Bela Lugosi Universal film Dracula from 1931. Holden starred as Countess Zaleska, the daughter of Count Dracula, who is attempting to break the curse upon her that makes her lust for blood. Needless to say, she fails at breaking the curse.
The film is considered by many horror fans, writers, and filmmakers to be highly influential in the vampire genre. Most notably, Anne Rice declared Dracula’s Daughter to be a major influence on her work, the Vampire Chronicles. She and others have stated that they found lesbian undertones and subtle homoeroticism in the film and this greatly influenced future vampire films, books, and television shows. For myself, having seen the film numerous times, I personally see the countess’ longings and desires to be her struggle with the hunger for blood. That being said, that hunger could easily be equated with the desire to engage in “forbidden love” or homosexual encounters. The countess doesn’t want to give in to the cravings but must give in to them. Please note that I use the term “forbidden love” only because homosexuality was seen as taboo back in the 1930’s (and still is in many places today).
Holden continued working in film for many years after making Dracula’s Daughter. Her career lasted nearly thirty years and featured primarily guest starring or background roles. Her biggest role outside of playing the countess was that of Alexandrine Zola in the 1937 biopic The Life of Emile Zola starring Paul Muni. Her final role was an uncredited appearance as a party guest in 1958’s Auntie Mame.
Thanks for checking out today’s Scream Queen! Mrs. Holden only had one significant horror role, but that role went on to influence major works like Interview With The Vampire, Dark Shadows, and erotic horror films like The Vampire Lovers (which happened to star Ingrid Pitt). Countess Zaleska’s desire to end her curse and her reluctance to kill innocent victims has also become a trope of many vampire stories including Louis in Interview With The Vampire and Morbius in the Marvel comics of the same name. Gloria Holden is definitely deserving of her Scream Queen title. Be sure to check out Dracula’s Daughter!
While most of the ladies on this list spent a lot of time on camera screaming, today’s Scream Queen was mainly on the offensive, making both men and women scream for mercy. I’m going to talk a little bit about the seductively beautiful Ingrid Pitt who, thanks to her appearances in Hammer Film Productions, has become an iconic figure in the realm of horror.
Mrs. Pitt’s career began as most acting careers do, with work in the theatre that eventually leads to small and/or uncredited roles in films. Her first major role came in the form of the 1968 sci-fi B-movie, The Omegans. She also had a role in Where Eagles Dare with Clint Eastwood and Richard Burton. Then came two films that she is perhaps best known for, the Hammer films The Vampire Lovers (1970) and Countess Dracula (1971).
In The Vampire Lovers, Pitt portrayed the villainous Marcilla/Carmilla, a bloodthirsty vampire who seduces beautiful young women, murders them, and then moves to another town to strike again. The film featured Kate O’Mara, Peter Cushing, Dawn Addams, and a number of other popular actors from the United Kingdom. It has gone on to become a cult classic for horror fans.
In Countess Dracula, Pitt once again seduces young women, but this time it is to restore and maintain her youthful beauty. Pitt portrays the wicked Queen Elizabeth Nadasdy, a character loosely based upon Queen Elizabeth Bathory. She has her servants (and both of her male suitors) trick young virgins to come to her castle where she bathes in their blood.
Pitt then hopped over to Amicus Productions, a film production company that produced numerous horror films that competed with Hammer. For that company she appeared in The House That Dripped Blood (1971). As her career continued, Pitt moved away from horror in the 1980’s and began appearing in films like Who Dares Wins (1982), Octopussy (1983), and Hanna’s War (1988). Despite her absence from horror, she remained popular with horror fans.
Pitt also worked in television throughout her career. One of her most notable appearances include Doctor Who in 1972 in the story arc entitled The Time Monster. She played the Queen of Atlantis, Galleia. The arc featured Jon Pertwee (the Third Doctor), Katy Manning (Jo Grant, the Doctor’s companion), Nicholas Courney (the Brigadier) and Roger Delgado (the Master). She would return to the series in 1984 as the character Doctor Solow in Warriors of the Deep. Peter Davison was the Fifth Doctor and Janet Fielding and Mark Strickson portrayed his companions, Tegan and Turlough, respectively.
Pitt was also a writer and in her later years occasionally appeared in film projects including Hammer’s 2008 film Sea of Dust. Pitt’s writings included a number of novels like Cuckoo Run (1980), The Ingrid Pitt Bedside Guide To Ghosthunting (2003), and Dracula Who….? (2012). Pitt also wrote for a number of periodicals, published an autobiography entitled Life’s A Scream (1999), and submitted scripts for a number of films and television shows including Doctor Who.
Pitt had brains, beauty, and a talent for acting and writing. She passed away in 2010 in London, England. She’s a Scream Queen Icon and I hope that you’ve enjoyed this brief look at her amazing career. See you tomorrow!
For today’s Reign of the Scream Queens entry we’re going all the way back to the 1920’s, the era of the silent film. While most modern audiences probably don’t know her name, Mary Philbin was a prominent silent film star at the beginning of the 1900’s. She appeared in a total of thirty-four films ranging from romantic comedies to dramas. Most of those films were silent and, sadly, many of them have been lost to time.
Two of the films that Philbin starred in are considered extremely influential. 1925’s The Phantom Of The Opera, a Universal film, is considered to be one of cinema’s earliest horror masterpieces. It features the amazing makeup work of Lon Chaney. His portrayal of the Phantom terrorized audiences. Philbin’s portrayal of the Phantom’s muse, Christine Daae, impressed audiences as well. The look of terror on her face as she peeled off the Phantom’s mask and the grotesque visage of the Phantom himself shocked audiences. The film was re-edited and re-released a number of times including a version with sound. It also featured a beautiful color sequence in which the Phantom attends a ball and walks amongst those that fear him in order to get to Christine.
The second highly influential film is a bit lesser known than The Phantom of the Opera. In 1928 Universal Pictures released the silent film The Man Who Laughs. Originally intended to be another starring vehicle for Lon Chaney, Sr., the film would eventually be headlined by his friend and film contemporary, Conrad Veidt after Chaney’s contract fell through and he recommended Veidt for the role. Veidt portrayed Gwynplaine, a man disfigured as a child who falls in love with a young blind woman named Dea portrayed by Mary Philbin. The movie solidified Jack Pierce’s role as a makeup master and would lead to his work on many of Universal’s most popular films, in particular the many Universal Monsters movies. It also heavily influenced Universal’s horror films for the next couple of decades, giving the films their Gothic look and feel. On top of that, Gwynplaine’s disfigured face, twisted into an eternal smile, was the main influence for the Joker’s garish grin.
Mary Philbin continued to act for a few years after the release of both of these iconic films but eventually left the industry in 1930 to care for her parents. She then retreated even farther from the public eye. She became a recluse and rarely appeared in public. She began suffering from Alzheimer’s Disease in the late seventies. The symptoms continued to get worse as the years went by but she would live a long life, making to the ripe old age of ninety-one before passing away in 1993.
Philbin was an extremely talented woman. Not only was she a talented actress, Philbin could also play the piano and pipe organ. Philbin was known to have a kind heart and was extremely quiet when she wasn’t performing. She was also constantly under the watchful eye of her parents, especially her mother, who forbid her to marry the man that she loved, Paul Kohner, because he was Jewish and the Philbins were Roman Catholic. The duo shared many love letters until Kohner eventually married another woman. Philbin never married, but both she and Kohner kept the letters that they wrote one another until their respective deaths.
While Ms. Philbin is certainly one of the earliest scream queens, she is so much more than that. I highly recommend seeking out any of her films that are still available, especially the two that I mentioned in this post, The Phantom of the Opera and The Man Who Laughs. I hope that you enjoyed today’s post and thank you for reading it. See you again, tomorrow!
Fifteen acting credits are all that horror legend Marilyn Burns ever received. In all honesty, she only needed one. After appearances in Brewster McCloud (1970) and Lovin’ Molly (1974), Ms. Burns won the role of Sally Hardesty in the iconic, groundbreaking, cannibal horror film The Texas Chainsaw Massacre (1974). She is considered by many to be the first true “final girl” and also responsible for giving one of the best performances by an actress in a horror film. The film predates all of the major slasher franchises including Halloween, Friday The 13th, and A Nightmare On Elm Street. It is also considered to be one of the most influential horror films of all time.
Of course, Chainsaw would be just another horror film if it weren’t in part for the brilliant performance of Marilyn Burns. Burns screamed, cried, crawled, ran, and begged her way through the film in a performance that left myself and many others very uncomfortable during and after the film. The believability of her performance and of the rest of the cast along with the direction of Tobe Hooper made for the perfect storm.
After making The Texas Chainsaw Massacre, Burns continued working off and on in film and television. She appeared primarily in horror films but also appeared in the real life mini-series based on the Manson Murders Trial, Helter Skelter (1976) as Linda Kasabian. She returned to the role of Sally Hardesty in 1995 for a cameo in Texas Chainsaw Massacre: The Next Generation (1995) and portrayed another character, Verna, in 2013’s Texas Chainsaw. Outside of that, Burns had a few roles here and there over the years in one off horror films like Eaten Alive (1976), Future-Kill (1985), and Butcher Boys (2012).
Burns chose to live a quiet life and only made occasional appearances at events celebrating Chainsaw or at pop culture and horror conventions. She acted when she felt like it and stayed out of the limelight. Sadly, Ms. Burns was found dead by family members in her home in 2014. While no official cause of death has been given, family members claimed that she had a heart attack.
Marilyn Burns is a legend and an icon. Thankfully her performance will continue to be seen by fans new and old alike. Thanks for checking out my post about this iconic Scream Queen. See you again, tomorrow!
Many Scream Queens are known for having multiple roles in horror films, usually B-movies, and perhaps one or two of the major horror franchises. Some only need one film to be dubbed a Scream Queen. A select few, however, manage to star in multiple major horror franchises, happily take on lesser roles in B-movies so that the film gains “name” recognition, and do it successfully for decades. Today’s Scream Queen, Dee Wallace, is one of those select few.
I’ll rattle off just a few of the films that Ms. Wallace, sometimes credited as Dee Wallace-Stone in some films, has appeared in over the years: Cujo (1983), The Hills Have Eyes (1977), The Frighteners (1996), Critters (1986), Halloween (2007), and The Howling (1981). That’s just a short list of the major horror films that she’s appeared in over her career. She has also appeared in a ton of B and direct-to-video horror films as well. Here are a few of them: Abominable (2006), Headspace (2005), Hansel & Gretel (2013), The Nest (2021), and Ejecta (2014). That’s pretty impressive.
Oh, and I didn’t even mention that she’s also appeared in a number of non-horror box office hits like E.T. The Extra-Terrestrial (1982), and 10 (1979), and has a long and successful career on television as a guest star on shows like CHiPs, The Twilight Zone, Starsky & Hutch, L.A. Law, and Simon & Simon, and had a starring role in two television shows as well. Ms. Wallace is definitely no slacker!
As much success as she’s had outside of the genre, Wallace just seems to be the perfect fit for horror films. She often played the young mom or single mother in many of her early horror roles. As she got older, she shifted to playing roles that were often the scared older woman or the wicked older lady. Rob Zombie has cast her in four of his films, the most recent being The Munsters (2022) as an announcer. He also cast her in The Lords of Salem (2012), 3 From Hell (2019), and Halloween (2007).
Wallace is an amazing actress. She literally has too many film and television credits (272 at the time of this writing) to list them all. She’s not only a prolific horror actress. She’s also a prolific actress in general. For horror fans, I recommend her work in The Howling, Cujo, Critters (and Critters Attack from 2019 for nostalgia purposes), and Halloween. I also recommend checking out Abominable. She isn’t in the film for very long but it’s one of the best Bigfoot flicks you’ll ever see!
Thanks for checking out today’s post. Dee Wallace is one of my favorite actresses and I am forcibly cutting myself short with this post so that I don’t ramble too much! Thanks for checking it out. I’ll see you tomorrow with another Scream Queen and the next entry in The Year of KISS!